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Georges Franju

Co-founding the world-renowned Cinémathèque Française with Henri Langlois provided Franju with his second claim to fame InFranju began the series of nine documentary films for which he became internationally famous. From the beginning, the novice director rejected the notion of objectivity in making documentaries. To Franju, a documentary was personal and reflected the views of its maker Unlike his documentaries, which were forums for Franju's angry world views, these movies both stylistically and thematically were loving tributes to his favorite filmmakers of the past. Like other French directors in the post-war years, he used short films as a personal means of examining social ideas and attitudes… Franju's remake of Judex sums up his thematic and visual preoccupations: loss of innocence, the sudden eruption of terror and violence, the use of doves as a poetic symbol.

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